Adapted from the book "The Budo Karate of Mas Oyama" ("The Budo Karate of Mas Oyama).
Written by Cameron Quinn

ANATOMY

HEAD AND NECK

AGO
MENTON (PERA) / JAW

Jinchuan
NOSE (FROM THE LIP
SUPERIOR AND NOSE)

Miken
BETWEEN THE EYES

ZUTSUKI
IN THE MIDDLE OF THE FRONT

GAMMA
CARA

KAO
CARA

Kuchi
BOCA

MEN
HEAD

Seimone
FRONTAL PARIETAL BONE WITH UNION (soft spot)

NODE
WALNUT / THROAT (Adam's apple)

KAMI KOME
SIEN (TEMPORARY)

ATAM
HEAD

HANA
NOSE

KUBI
NECK

ME
EYES

MIMI
EARS

TORSO

HARA
STOMACH / ABDOMEN

KATA
SHOULDER

MiZo-OCHI
SOLAR PLEXUS

ROKKUTSU
RIBS

SENAKA
BACK

TANDAR
UNDER BELLY (2 FINGERS UNDER THE NAVEL)

HIZO
BASO

Koshi
HIPS

MUNE
CHEST

SAKOSTU
COLLARBONE

SHINZO
HEART

ARMS

Hiji
ELBOW

KOBUSHI
FIST

TE
HAND

UDE
ARM

KANSETSU
JOINT (ANY)

KOTE
FOREARM

TEKUBI
DOLL

Yubi
FINGER (S)

LEGS

MOMO
THIGH

ASHI
FOOt

Futo-MOMO
THIGH

Hiza
KNEE

KANSETSU
JOINT (ANY)

KINTEKI
GROIN / testicles

SUNE
BOBBIN / shin

GERI
LEG

ASHIKUBI
ANKLE

ASHIYUBI
DEDO (FEET)

KAHANSHIN
Lower body

KIN
GROIN

Sokei
TESTES

TSUMASAKI
TIPS OF THE FINGERS OF THE FOOT

BODY WEAPON

HANDS AND ARMS

EMPI
HAISHO
HAITO
HIJI
HIRAKEN
HITOSASHIYUBI
IPPON-KEN
IPPON NUKITE
KEIKO
KOBUSHI
KOKEN
KOTE
NAKAYUBI
NIHON-KEN
NIHON-NUKITE
NUKITE
SEIKEN
SHOTEI
SHUTO
TETTSUI
TOHO
URAKEN

ELBOW
PART OF BACK OF HAND
HIT WITH THE SONG (EDGE) INTERNAL HAND
ELBOW
PLANO punch
INDEX FINGER
FIST with a knuckle
LABOUR LAUNCHES IN THE FORM OF USING A FINGER
HAND IN THE FORM OF PICO DE GALLO
FIST
DOLL (PART OF ABOVE)
FOREARM
Middle finger
CUFF WITH TWO Knuckles
SPEAR HAND IN THE FORM OF USING TWO FINGERS
HAND IN THE FORM OF LANZA (open hand)
NORMAL FIST
PALMA DE LA MANO (BASE)
OUTER EDGE OF THE OPEN HAND
Outer edge of the closed hand (fist)
INTERNAL PART OF THE OPEN HAND BETWEEN THE THUMB AND INDEX
REVERSED punch

LEGS AND FOOTS

CHUSOKU
HAISOKU
HIZA
KAKATO
SOKUTO
SUNE
TEISOKU

BASE OF THE FINGERS OF THE FOOT
Instep
KNEE
TALON
OUTER EDGE OF THE PIE
BOBBIN, shin
ARCH OF FOOT

TECHNICS (WAZA)

ASHI BARAI
BARAI
CHOKUZUKI
ENKEI
GERI
GERI-WAZA
GYAKU
JUJI
KAKE
KEKOMI
KIZAMI
MOROTE
NAGE
OI
TAOSHIWAZA
TE-WAZA
TOBI
TOBI-GERI
TSUKI
UKE
UKE WAZA
WAZA

SCANNING OF FEET
DALE, REJECT
BY PUNCH
CIRCULAR
Kicks
Kicks TECHNIQUES
COUNTER; OPPOSITE
CROSS
HOOK
COUP DE PIE DE ESTOC
REVERSE SLAM
DOUBLE
THROW, THROW, THROW
SUDDEN MOVEMENT FORWARD
THROW THE FLOOR
HAND TECHNIQUES
SKIP
JUMP ON FOOT BLOW
Punch
LOCK
BLOCKING TECHNIQUES
TECHNICAL

LESSONS IN TERMINOLOGY

ASHI Or Fuite
SHAKE YOUR FEET

Fuite
BOB (feet or hands)

HAJIME
BEGIN / START

Ibuki
TENSION WITH BREATHING

KUMITE Jiyu
FREE FIGHT

IDO-geiko
BASIC MOVEMENTS

KAIT
TURN AROUND / SWIVEL

KIAI
INITIAL CRY

KIME
FOCUS / FOCUS

KUMITE ippon
AN ATTACK AND DEFENSE
(Pre battle)

Naor
RETURN TO TOP

REI
REVERENCE / TIP

TO O Fuite
Shake out your hands

Yakusoku
PRESET

Yasuma
REST / Release

YUK-KURI
SLOWLY

CHIKARA IRET
WITH VOLTAGE / POWER OR POWER

FUMIKONDE
MOVING THROUGH THE FLOOR

Hantai
Opposite Side

IDOKIHON
BASIC MOVEMENTS

MAWATTE
BACK SPIN

MOKUSO
Meditation (eyes closed)

KAMAETE
BE READY / TAKE YOUR POSITION

KIHON
BASIC (s) / BASIC (s)

KUMITE
COMBAT

JIS-SEN KUMITE
CONTACT WITH TOTAL COMBAT

NOGARO
DEEP BREATHING

SEIZA
Kneeling position

URA
DE REVES / REVERSE / COUNTER

YAME
STOP / END / HIGH

Yoi
BE READY / PREPARE

DIRECTIONS (MOVEMENTS IN GENERAL)

AGE
CHUDAN
ENKEI
GEDAN
GYAKU
JODAN
JUJI
JUN
MAWASHI
MOROTE
NANAME
OI
OROSHI
SAYU
SHOMEN
SOTO
TOBI
UCHI
YOKO

TECHNIQUE TO BE BOTTOM UP
MEDIA ZONE
CIRCULAR
FLOOR AREA
REVERSE
ZONA ALTA
CROSS
STAIGHT OFF SHOULDER
CIRCULAR / TURNING
DOUBLE
Diagonal Diagonal
FRONT OF FORWARD
DESCENDED
LEFT AND RIGHT
FRONT
OUT
SALTO
TO INSIDE
TO THE SIDE

Happ (Eight directions from which all movements are generated)

MAE
USHIRO
MIGI
HIDARI
MIGI-MAE
MIGI-USHIRO
HIDARI-MAE
HIDARI-USHIRO
NANAME

FRONT / FRONT
BACK / BACK
LAW (using hand or right foot)
LEFT (using hand or left foot)
FORWARD RIGHT SIDE
RIGHT BACK
LEFT SIDE FORWARD
LEFT BACK
Diagonal Diagonal

ZONES

CHUDAN
GEDAN
JODAN
JOHANSHIN
KAHANSHIN

MEDIA AREA, AREA OF TORSO
FLOOR AREA, TESTES AND UNDER THESE
AREA HIGH; NECK AND TOP OF THIS
Top of the body (waist)
Lower body (of the testicles down)

NUMBERS (BAN)

Number System: Japan has two number systems, one is native and the other is of Chinese origin. The numbers of Japanese origin are used in statements concerning with age, and when it comes to number of objects. The numbers of Chinese origin are used in action, money and distance. After the number 0, the numbers are used only Chinese.

NÚMBERS ORIGEN JAPON

1 = ichi
2 = ni
3 = san
4 = shi *
5 = go
6 = roku
7 = shichi
8 = hachi
9 = ku
10 = ju
11 = ju-ichi
15 = ju-go
20 = niju
30 = sanju
40 = yonju
50 = goju
60 = rokuju
70 = nanaju
80 = hachiju
90 = kyuju
100 = hyaku
1000 = sen
10000 = man

Because Japanese shi is the root of a word that means death, the number four (shi) of Chinese origin is rarely used, is commonly used as a substitute for the number 4 (yon.) of Japanese origin. The use of these two systems is complex, however Karateca may develop well if you learn the first 10 numbers of Chinese origin.

DO (GRADES)

HYAKU-HACHIJU-DO
KYUJU-DO
YONJUGO-DO

180 GRADES
90 GRADES
45 GRADES

IK-KAI
NIKAI
SANKAI
YONKAI
GOKAI
ROK-KAI
NANAKAI
HAK-KAI
KYÛ-KAI
JUK-KAI
GOJUK-KAI
HYAK-KAI

ONCE
TWICE
THREE TIMES
FOUR TIMES
FIVE TIMES
SIX DAYS
SEVEN TIMES
EIGHT TIMES
NINE TIMES
TEN TIMES
50 TIMES
100 TIMES

TECNICAS BASICAS (KIHON GUEIKO)

MANOS Y BRAZOS

Sanchin Dachi

SEIKEN CHUDAN TSUKI
SEIKEN JODAN TSUKI
URAKEN SHOMEN UCHI
URAKEN SAYU UCHI
URAKEN HIZO UCHI
URAKEN YODAN MAWASHI UCHI
SEIKEN AGO UCHI

Punch to the middle
A punch AREA HIGH
Punch FRONT REVERSE
Punch REVERSE SIDE TO
THE REVERSE punch BASO
REVERSED punch AREA HIGH (NEIS)
Punch to the chin (AGO)

Kiba Dachi

URAKEN SHITA UCHI
HIJI YOKO UCHI

Punch STOMACH TO REVERSE STROKE OF ELBOW TO HEAD

UKE / BLOQUEOS - Sanchin Dachi

JODAN UKE
CHUDAN UCHI UKE
CHUDAN SOTO UKE
GEDAN BARAI
CHUDAN UCHI UKE/GEDAN BARAI

LOCK FOR HIGH ZONE
MEDIA LOCK OUT ZONE
TO LOCK IN MEDIA AREA
LOCK INTO THE FLOOR AREA
SIMULTANEOUS LOCK DOWN / UP

SHUTO / SONG OF THE HAND (hand extended)

SHUTO GAMMEN UCHI

HIT WITH THE SONG OF THE HAND
To the head (temple)

SHUTO SAKOTSU UCHI

HIT WITH THE SONG OF THE HAND
DIRECTED to the clavicle

SHUTO SAKOTSU UCHI KOMI

SONG OF HAND STROKE
The clavicle DEEP TARGETING

SHUTO UCHI UCHI

HIT SONG OF HAND,
INTERNAL, AIMED TO NECK

SHUTO HIZO UCHI

HIT SONG OF HAND DESIGNED TO ARM

WAZA - GERI

MAE GERI KEAGE

KICK UP FRONT
(Without bending the knees)

UCHI MAWASHI GERI

KICK UP WITH KNOCKING THE EXTERNAL EDGE OF THE PIE

SOTO MAWASHI GERI

KICK UP KNOCKING WITH FOOT INSIDE THE EDGE

HIZA GERI

Knee, knee blow

KIN GERI (KINTEKI GERI)

BLOW TO pelvic or testicular

MAE GERI

FRONT KICK (blow to the base of the fingers)

YOKO KEAGE

SIDE KICK WITH THE SONG TO THE AREA OF HIGH FOOT

KANSETSU GERI

HIT WITH THE EXTERNAL EDGE OF THE PIE (sokuto) AIMED AT THE JOINTS
(Preferably to the knee)

YOKO GERI

SIDE KICK WITH THE SONG OF THE FOOT

USHIRO GERI

SIDE KICK WITH THE SONG OF THE FOOT

MAWASHI GERI GEDAN

SEMI-CIRCULAR ZONE KICK LOW (Lown-Kick)

MAWASHI GERI JODAN

SEMI-CIRCULAR ZONE KICK HIGH

BELTS (OBI)

CINTURON NEGRO

Luego de llegar al 1° KYU, se da comienzo al grado de shodan representado por el cinturón negro con un galón dorado en uno de sus extremos, y en el otro el nombre bordado del alumno en japonés.

TERMINOLOGY USED IN TOURNAMENT

OPENING OF COMBAT

NAKAI
REI
SHOMEN NI REI
SHUSHIN NI REI
OTAGAI NI REI
KAMAETE
HAJIME

Placed in the mark
Cross your arms across your chest and say "OSU."
Looking at the official step and salute
Look at the referee and say hello
Greetings from competitors
Take a fighting stance - on guard
Start the fight.

DURING FIGHTING

YAME

Stop the bout immediately

KAMAETE

After stopping the fight, take back fighting stance.

ZOKKO

Start Over combat.

ZOKKO

Attacking if competitors do not fight because they are watching each other.

SHIRO
AKA
FUKUSHIN SHUGO
KIKEN
GANMEN-KOGERI O GANMEN
TSUKAMI
SHOTEI OSHI O SHOTEI
KINTEKI-KOGEKI
ZUTSUKI

White. The first competitor entering the tatami
Red. The second competitor entering the tatami
Judges Called Session
Abandonment
Attack the face with his hand or elbow.
Grab the uniform.
Pushing the opponent with open hands.
Blow to the genitals.
Hit his head.

Others

Attacking from behind, attack your opponent when he has been shot down, etc.

CLASSIFICATION OF FAULTS

CHUI-ICHI
CHUI-NI
GENTEN-ICHI

First warning
Second warning. It is a penalty.
First penalty.

GENTEN-NI

Second penalty (foul). Is disqualified. The referee will say: "People-NI, SHIKKAKU."

FULL POINT AND THE POINT.

IPPON

The statement is ippon victory. The referee declares the competitor and announced SHIRO AKA or ippon and nature.

WAZA-ARI

An effective attack that damages the opponent but not of the caliber of an ippon. e.g: "Aka, Migi-mae-geri, WAZA-ARI."

DECISION

When not been rated one clear point completely, is granted by a decision victory. The decision procedure is as follows:

YAME
SHOMEN-MUITE

Stop fighting.
Look straight ahead.

HANTEI-O-ONEGAI SHIMASU

The referee calls the decision of his assistants

HANTEI

Hearing this, the umpire must use their flags to show their decision.

SHIRO/AKA

White / Red. The umpire will raise the flag color of the contestant deemed the winner.

HIKIWAKE
ICHI
NI
SAN
SHI

Tie.
A flag.
Two flags.
Three flags.
Four flags.

SHUSHIN, AKA / SHUSHIN, SHIRO SHUSHIN HIKIW AKE

Decision of the referee.
The referee counts the number of flags and announces its decision. e.g.:
a) "Hikiwake ichi, shiro, no, san, Shusha, shiro"
b) "Hikiwake ichi, no Shiro, ichi, or, Shusha, Shiro" In this case Shiro wins 3-0.
c) "Shiro, ichi, nor Hikiwake, ichi, or, Shusha, Hikiwake" In this case there is a tie.

STATEMENT OF DECISION

The referee counts the number of flags and says its own decision. At the same time points out obliquely with his hand to the winner. In case of tie, crossing their hands down. Then there is an extension.

THE FINAL BATTLE
The judge declares victory. This is the end of combat

SHOMEN-NI-REI
SHUSHIN-NI-REI
OTAGAI-NI-REI

After greeting each other competitors shake hands and leave
mat by his side.